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Personal Work
間(hazama series)
日本古来から続く神道。その祈りと想いの歴史を、神域の門となる鳥居とその境界の世界を撮り表現しているシリーズ作品。秋吉台で採れた上質な石灰岩から作られた漆喰シートにプリント。額は古くから日本の建築に用いられてきた木材や樹齢1000年を越える屋久杉など国産材から製作。木の傷や反り、捻れを残しながら調和を図っている。
This photographic series explores the history of prayer and devotion embodied in Shinto, Japan's indigenous spiritual tradition. Through images of torii gates—the sacred thresholds that mark the boundary between the everyday world and the divine—it expresses the liminal space between the human and the sacred.
Each work is printed on premium plaster sheets crafted from high-quality limestone quarried in Akiyoshidai. The frames are made from Japanese timber traditionally used in architecture, including over 1,000-year-old Yakusugi cedar. Preserving the wood's natural imperfections—its scars, warping, and twists—each frame is carefully balanced in harmony with the artwork, honoring the beauty shaped by time and nature.
空音(soranone series)
私の住む地域の海岸で美しいと思った瞬間の色、その瞬間の時の流れ、音、匂いを封じ込めたシリーズ作品。秋吉台で採れた上質な石灰岩から作られた漆喰シートにプリント。額は古くから日本の建築に用いられてきた木材や樹齢1000年を越える屋久杉など国産材から製作。木の傷や反り、捻れを残しながら調和を図っている。
This series preserves the fleeting essence of the coastline where I live—the colors that moved me, the passage of time, the sound of the waves, and the scent of the sea, all held within a single moment.
Each work is printed on premium plaster sheets crafted from high-quality limestone quarried in Akiyoshidai. The frames are made from Japanese timber traditionally used in architecture, including over 1,000-year-old Yakusugi cedar. Preserving the wood's natural imperfections—its scars, warping, and twists—each frame is carefully balanced in harmony with the artwork, honoring the beauty shaped by time and nature.
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